What hair should be the color from the position of the hairdresser? Oswald's circle will allow you to choose several well-combined shades and to evaluate the final result in advance.
To properly carry out the selection of tones, you need to understand the combination of colors.
1. There are 3 basic shades that are necessary for further color transformations. These are blue, red and yellow.
2. Their combination gives a secondary tone: green orange purple.
3. Tertiary colors are formed by mixing primary and secondary.
4. The next step is complex color compositions.
Colour circle Oswald manages not only to pick up related shades when you want rich color gamma, but you can correct the situation by removing poorly-formed tone. A circle will help to find the right shade: you need to take the one that is opposite the result.
Oswald's circle will be a great help for a beginner hairdresser and an experienced salon specialist from London and any other city of Great Britain, allowing you to quickly select priority and additional shades.
Adjacent shades are well represented in Ethan's work. They help efficiently carry raznochinovka staining strands.
Before coloring it is necessary:
- identify the depth of the existing tone;
- to understand what should come out in the end;
- to determine the need for an interim clarification;
- decide whether to work with an undesirable shade and how it can be removed, reaching the desired color tone.
How to apply this knowledge in practice.
Dark hair should be painted in a light color. It is obvious that any lightening will not give a radical change, so you need to remove the background color from the hair, and then apply a light component to the background material.
Increased depth of tone lightened base That apply. Background clarification of how you will get the tone after the initial impact.
When stained, hydrogen peroxide chemically acts on the melanin of the hair, removing the blue pigment. Remain yellow and red, which determine the intensity of their combination of clarification.
There is a relationship between FO (background lightening) and GT (depth of tone).
The numbers 1, 3, 4 – options for the shade of red lightening. In accordance with the terms of Oswald, he is opposed to the green corrector.
Numbers 5, 6, 7 with an orange background will help blue and its varieties. For the 5th choice red-orange lighting, and for 7th – blue and purple. These colors of the initial shades are complex, so the correction will be performed from several tones.
Yellow is typical for 8, 9 and 10. It corresponds to the circle of Oswald purple mixton.
Understand the colors.
They are located in a circle side by side, characterized by different concentrations of a single source component. For example, red and red-orange.
These are the colors of one color gamut, which differ in the degree of saturation of the tone. For example, bright green, light green, herbal.
Classic colors: white, black, gray. They are deprived of brightness of paints, can be in a quiet format (ash, gray) or contrast (white with black).
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